"He recognized rot! You know what I think of him." Fleda knew; she had no wish to challenge a fresh statement. Mrs. Gereth made one—it was her sole, faint flicker of passion—to the extent of declaring that he was too abjectly weak to deserve the name of a man. For all Fleda cared!—it was his weakness she loved in him. "He took strange ways of pleasing you!" her friend went on. "There was no obligation till suddenly, the other day, the situation changed." This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?"!

"Beautiful things?" Mrs. Gereth turned again to the little worn, bleached stuffs and the sweet spindle-legs. "They're the wretched things that were here—that stupid, starved old woman's." Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light.

Her profuse preparations had all this time had no sequel, and, with a laugh that she felt to be awkward, she hastily complied with his request. "It's sure to be horrid," she said; "we don't have at all good things." She offered him also bread and butter, of which he partook, holding his cup and saucer in his other hand and moving slowly about the room. She poured herself a cup, but not to take it; after which, without wanting it, she began to eat a small stale biscuit. She was struck with the extinction of the unwillingness she had felt at Ricks to contribute to the bandying between them of poor Mona's name; and under this influence she presently resumed: "Am I to understand that she engaged herself to marry you without caring for you?" "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. She was in a fever of ingenuity and painfully conscious, on behalf of her success, that her fever was visible. She could herself see the reflection of it glitter in Mrs. Gereth's sombre eyes.